I have known Peter Boyd Maclean since he was a lad in the late 70s, at that time living in the same Essex village (Wivenhoe) as The Lines’ official photographer Martin Mossop. Then he popped up in London in the mid 80s as part of the Duvet Brothers, the ground-breaking video production team that made the Torch Song Don’t Look Now video.
Around 2010 he made the hilarious and criminally overlooked film Lummox, in which he gradually intrudes on his own reality show about somebody else’s life. It’s a little hard to describe but if you get a chance to see it you definitely should.
Six years ago he came down to the final incarnation of the Guerilla Studio in Islington, ostensibly to film my drum robot, but he also had a song in his head, a tune in his heart. He strapped on a guitar and within about half an hour laid down a bunch of parts for the song Killing Pickle.
After that he began to take this music thing seriously, and he recruited crack musician (and Stoke Newington’s leading violin repair man) Gary Bridgewood. Gary’s wife Jo added her excellent vocal arrangements. They started sending me songs, which I would arrange and mix. Ultimately they got confident enough to do the whole thing themselves. When they added veteran percussionist Fergus Gerrand they became, to all intents and purposes, a pretty serious band.
Their finished album has been getting quite a lot of positive attention and you should check it out. It won’t be to everyone’s taste but Peter most definitely has a knack for matching clever lyrics with a catchy tune.
Got a beatin’ heart…a heart that’s beatin’ me in…