Our live sets of the time ended with this instrumental, the old Yamaha trombone (which still lives in my garage) pressed into action once more, in the vital interests of approximating the sound of a rampaging martian mammoth. The guy at the sound board was invariably encouraged to go overboard with his echo box, to mixed results. You need to get very bold with the feedback control to get a good dub effect, a fact which many of our sound men were probably too inebriated to absorb.
This studio version came out quite well, Jo’s bobbing bass and Nick’s cool percussion somewhat invoking my fave mixer Lee “Scratch” Perry without crossing into pure copycat territory (I hope). And overall, although I was somewhat dissatisfied with the sound of the Cool Snap EP, it had the effect of making me grab the controls for myself, and I’ve held on to them ever since.