William Orbit “The Story of Light” 1991

A trip back to the UK to sort out my visa proved fortuitous, in that I got to join in the sessions for the classic William Orbit album Strange Cargo III, then in full swing up at Crouch End.

Of course, the best known track from this album is Water From A Vine Leaf, featuring the very wonderful Beth Orton, back when she was just a slip of a girl.

I played on three songs: A Touch Of The NightTime To Get Wize and this one, featuring the classic Roland JD800 in all of its glory.

This post was fun to research due to the wonderful proliferation of amateur videos set to William’s music, and quite a few set to this song. I chose this clip but it’s worth  researching further. Kudos to all you content creators out there.

Colourbox 1984

I knew Ivo Watts-Russell of 4AD from The Lines days, he knew our manager Steve Brown and we did gigs with 4AD acts Bauhaus and The Birthday Party. When I found out he’d booked in Colourbox to do some recording I was pretty excited. I knew their amazing psychedelic R ‘n B dub EP Shotgun and was very impressed by it. They were certainly a band apart from their more whimsical label mates. So I really wasn’t sure what to expect.

One day two white boys walked in, they looked about 17, brothers, they weren’t twins but could have been. They didn’t bring any gear with them, just stood there grokking ours for a while, then went to it. This was Martyn and Steve Young of Colourbox. They had a manager, Ray Conroy, who would sit at the back and cheerlead. On vocal day Lorita Grahame would come down from the midlands, sulk a bit, and then blow us away with her incredible voice.

Martyn Young had an amazing ability to incorporate any new technology that arrived in the studio into the track he was working on, almost without missing a beat. For Manic our new Yamaha DX7 and Roland MSQ sequencer were put through their paces. We’d nearly finished the mix of You Keep Me Hangin’ On  when a new gizmo arrived that allowed us to pitch change a looped sample held in the AMS digital delay, and that’s how the guitar breakdown in that song came about.

Simple technology, to be sure, compared to what Trevor Horn and his crew had going on a couple of miles away in Basing Street. But for my money Colourbox kicked Art of Noise’s ass any day of the week.

Plus my boy William Orbit ripped out a great guitar solo on Manic.

They only made the one album, then they did a world cup theme, then they had a big hit with Pump Up The Volume, then they got sued by everybody, then they disappeared. I often wonder what they’re up to now. Probably working down at the Hadron Collider with the other geniuses.

Update: I have just learned, to my great sadness, that Steven Young passed in July of this year. My deepest condolences to Martyn and all of Steven’s family and friends. Just when you think 2016 can’t get any worse…