A nice surprise: the lads called me up out of the blue, flew me to Belgium, got me ratarsed on that lethal cloudy brew they have over there, then threw me in the studio to record them for a couple of days. Flew Me and Threw Me…sounds like a Robin Thicke song. Somebody get Pharrell on the phone. Lawyers on standby.
I would say this is an unusual album on the “industrial” scale of things; not as overtly political as their previous output, it delves more into the politics of personal life, the power of tradition, the power of the feminine, the incontrovertible power of bagpipes. I like it a lot.
The song Current Affairs features your loyal servant banging away on the studio grand, while the crew man the drums in laid back mode. Somewhere somebody is watching Panorama…or is it Un Homme Et Une Femme…
My first proper remix that I did myself and wasn’t rejected.
Test Dept. came to Guerilla with producer Ken Thomas to work on their album The Unacceptable Face of Freedom. We hit it off pretty well and they asked me to do a remix of the track Fuckhead, and I really went to town on it, sending half of the sounds through a massive matrix of triggered noise gates.
The track featured the voice of a certain tory politician, and a guitar sample from a certain 70s glam rock star. Coincidentally, both have been in the news in the days preceding my writing this.
When the 12″ came out the track had been retitled Faces of Freedom and there were no credits at all on the disk. This mix was played all over the place, but nobody knew it was me.
Come on though…when fighting the evil forces of Thatcherism, armed only with sticks and dustbins, such concepts as credit and (cough) renumeration were strictly for degenerates.